NEW TECHNOLOGY, NEW MUSIC, LISTENING.
In: Electronic & Experimental Music, 2003-01-23, S. 1-3
Buch
Zugriff:
This section topics discussed in the book Electronic and Experimental Music dealing with the development of new musical ideas and the parallel growth of electronic music instruments, as of January 2003. Technology has played a big role in the growth of the music business. Composers now think differently about the music they make. The book features the work of engineers and composers, performers, pocket-protector geeks and new music pioneers. Their musical space is one in which aural reality is recontextualized by new sounds, new rules for playing sounds and new demands for listening. The audience now listens differently to music because recording has changed the way music is experienced. Electronically produced music has become part of popular culture. It evolved during the twentieth century along with the growth of industry and technology. The real story of electronic music has always been the symbiosis that develops between the artist and the inventor, and the imaginative music that flows from these creative collaborations. Composer Robert Ashley claims that enough has not been written about music in the 1960s. The book intends to offer insight into the work of key pioneers in the field whose ideas and methods set the course for many others to follow.
Titel: |
NEW TECHNOLOGY, NEW MUSIC, LISTENING.
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Autor/in / Beteiligte Person: | Holmes, Thom |
Zeitschrift: | Electronic & Experimental Music, 2003-01-23, S. 1-3 |
Quelle: | Electronic & Experimental Music; (2003-01-23) S. 1-3 |
Veröffentlichung: | 2003 |
Medientyp: | Buch |
ISBN: | 978-0-415-93644-6 (print) |
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