The many Beethoven myths.
In: New Statesman, Jg. 149 (2020-07-24), Heft 5530, S. 94-96
Online
serialPeriodical
Zugriff:
The Critics: Arts Beethoven's instrumental music opens to us the realm of the monstrous and immeasurable", wrote ETA Hoffmann in his 1810 review of Ludwig van Beethoven's Fifth Symphony. Beethoven's notoriously unreliable biographer Anton Schindler wrote that the composer described its first notes as "fate knocking at the door" - though there's no proof that Beethoven ever said such a thing. Beethoven's music became so popular that it continued to feature on concert programmes alongside contemporary works - it is often said that Beethoven's legacy created the musical canon. [Extracted from the article]
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The many Beethoven myths.
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Autor/in / Beteiligte Person: | Bootle, Emily |
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Zeitschrift: | New Statesman, Jg. 149 (2020-07-24), Heft 5530, S. 94-96 |
Veröffentlichung: | 2020 |
Medientyp: | serialPeriodical |
ISSN: | 1364-7431 (print) |
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