ANDRIĆEVA "KUĆA NA OSAMI" - KNJIGA O DUŠI. (Bosnian)

Andrić's creative soul in the timeless present, opens wide like the doors and windows on a house on the steep Alifakovac in Sarajevo, all the way to the deepest well in the soul, to the soul's endlessness, so that it could accept all of those who would like to enter the story and to point to the bright and pristine "heavenly" moments of the soul, and even more to the dark ones, sinful and shameful, horrifying and tragic, now and forever intervowen into the Mann's "festivity of the story". These stories by Andrić are but walking shadows and states of the soul. Searching for and recognizing the irrational moves of the soul and its timeless forms, the genuine stories of this The House on Its Own are the depths and the essence, or as Mann put it: "the blessing of the sky above and of the depths below". One of the last books by Andrić, consisting of interconnected short stories, deconstructs the narrator's creative technique and reinterprets the author's idea from the essay Of stories and story telling - that literary discourse is equal to historical truth. Both history and fiction are but means of telling stories about the central, eternal and timeless - about the human soul. [ABSTRACT FROM AUTHOR]

Stvaralačka Andrićeva duša u bezvremenoj sadašnjosti, širom se poput vrata i prozora kuće na strmom sarajevskom Alifakovcu otvara, do najdubljeg studenca dušinog, do beskraja duše, da primi sve one koji bi da uđu u priču i da ukaže na svetle i čiste "kao iz raja" trenutke dušine, još više na one tamne, grešne i stidne, strašne i tragične, sada i uvek, utkane u manovski rečenu "svetkovinu priče". Igre senki i stanja duše su ove Andrićeve priče. Traganja i prepoznavanja iracionalnih pokreta dušinih, njihovih bezvremenih formi, jesu dubine i suštine, prave priče ove Kuće na osami (ili kako bi Tomas Man rekao: "blagoslov neba ozgo i blagoslov dubine ozdo"). Jedna od poslednjih Andrićevih knjiga, satkana od ulančanih pripovedaka, dekonstruiše naratorov stvaralački postupak i reinterpretira autorovu misao iz eseja O priči i pričanju - da je književni diskurs ravan istorijske istine. I istorija i fikcija su samo sredstva da se ispričaju priče o glavnom, večnom, vazdašnjem - o duši. [ABSTRACT FROM AUTHOR]

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