OBJEKTIVITÁS VAGY SZUBJEKTÍV OBJEKTIVITÁS: HATÁRVONAL A DOKUMENTUM- ÉS A JÁTÉKFILM KÖZÖTT. (Hungarian)
In: Korunk, 2023-03-01, Heft 3, S. 87-92
Online
academicJournal
Zugriff:
In my paper, I examine the borderline between documentary and feature films by enumerating the typical differences and similarities. My question is: in adapting a true story, is the documentary an unbiased presentation of reality, or rather a representation of the director’s subjective objectivity? I compare the adaptations of the popular story of Oskar Schindler: Steven Spielberg’s world hit feature film Schinder’s List and Jon Blair’s documentary, Schindler: The Real Story, examining the adaptation techniques of the two genres, focusing on the emphasis of the episodes of the well-known story in each of the two works. Finally, I show, through a case study of my own work, how the boundaries between the two cinematic genres are blurred in the processing of memory and documentary data. [ABSTRACT FROM AUTHOR]
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Titel: |
OBJEKTIVITÁS VAGY SZUBJEKTÍV OBJEKTIVITÁS: HATÁRVONAL A DOKUMENTUM- ÉS A JÁTÉKFILM KÖZÖTT. (Hungarian)
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Autor/in / Beteiligte Person: | LÁSZLÓ, CSIBI |
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Zeitschrift: | Korunk, 2023-03-01, Heft 3, S. 87-92 |
Veröffentlichung: | 2023 |
Medientyp: | academicJournal |
ISSN: | 1222-8338 (print) |
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