Ornella Casazza. Dai restauri post alluvione alla direzione del Museo degli Argenti. (Corsican)
In: Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2022-07-02, S. 635-654
Online
academicJournal
Zugriff:
As part of a reconsideration of the role of women in studies and in the historical-artistic work, figures emerge who have declined their militancy in an extended and evolving context. In this sense, today we can look at Ornella Casazza, and on her "metamorphosis", as defined by Marco Chiarini and Maria Anna Di Pede, between restoration, history of art and contemporary criticism, carried out through institutional assignments, exhibition projects and museums. This contribution aims to identify some interventions within the different lines of research carried out since the 1960s, when as a restorer Casazza carried out the first, crucial, post-flood interventions, her direction of the Department of Advanced Technologies (DAT) of the Special Superintendence for the Florentine Museum Complex, that of the Museo degli Argenti of Palazzo Pitti (now Treasury of the Grand Dukes) and its relationship with well-known and emerging contemporary artists, enhancing their artistic expressions. [ABSTRACT FROM AUTHOR]
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Ornella Casazza. Dai restauri post alluvione alla direzione del Museo degli Argenti. (Corsican)
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Autor/in / Beteiligte Person: | Casazza, Simona |
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Zeitschrift: | Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2022-07-02, S. 635-654 |
Veröffentlichung: | 2022 |
Medientyp: | academicJournal |
ISSN: | 2039-2362 (print) |
DOI: | 10.13138/2039-2362/3095 |
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