Le amazzoni del disgelo alla Biennale di Venezia (1960-1962). (Corsican)
In: Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2022-07-02, S. 783-793
Online
academicJournal
Zugriff:
The article deals with the role played by two Russian art historians in the culminating years of the Khrushchev Thaw. Irina Antonova and Larisa Salmina were appointed respectively in 1960 and 1962 commissioners of the Soviet pavilion at the Venice Biennale, the only national representation to elect two women in a row. The two art historians were involved in a late stage of the making of the pavilion, that is after the crucial phase of the exhibit selection. However, benefitting from their role as observers of the international art scene hosted in Venice, they were able to conceive and develop proposals intended to provide the pavilion with a strategic plan for the presentation of Soviet art to an international audience. That happened not just by opposing the capitalistic system, but rather by adopting some of its aspects that they considered suitable to the national cause and instrumental to a better integration of a properly socialist artistic infrastructure into the world art system. [ABSTRACT FROM AUTHOR]
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Titel: |
Le amazzoni del disgelo alla Biennale di Venezia (1960-1962). (Corsican)
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Autor/in / Beteiligte Person: | Bertelé, Matteo |
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Zeitschrift: | Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2022-07-02, S. 783-793 |
Veröffentlichung: | 2022 |
Medientyp: | academicJournal |
ISSN: | 2039-2362 (print) |
DOI: | 10.13138/2039-2362/3055 |
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