GYÖNYÖRŰ VOLT SZÁL ALAKJA” SZENT ISTVÁN KIRÁLY IKONOGRÁFIÁJA A SOKSZOROSÍTOTT GRAFIKÁBAN A 15. SZÁZADTÓL A 19. SZÁZAD KÖZEPÉIG PÓTLÁSOK (ÚJ ÁBRÁZOLÁSOK, ADALÉKOK ÉS JAVÍTÁSOK). (Hungarian)

More than twenty years ago, in the “millennial year” (1 January 2000–20 August 2001), a representative work of scholarship was released in honour of the millennial anniversary of the foundation of the state (Budapest, Boda Antikvárium, 2001) about the representations of the first king of Hungary, Saint Stephen, in the medium of graphic prints. The publication was reviewed by noted scholars and has been referred continuously in special literature ever since. It is common knowledge that the “image” of king Saint Stephen has been closely tied to Hungarian history, as a decisive personage at its turning points. After the publication of the book I have therefore kept tabs on and collected the data that enlarge, supplement and at a few times rectify its contents. For easier orientation, both the complementary material, the additions, and new representations are adjusted to the item numbers in the iconographic catalogue attached to the volume. From among the addenda, one picture is a complementation to item 71, because in 2001 no copy of its first publication (1692) could be had. Among the sixteen addenda (27, 37, 46, 49, 62, 70, 79, 95, 96, 104, 108, 126, 153, 188, 191, 219) item 46 also received a new picture which arose as the “B” variant of the copperplate engraving (first published in 1626) in a so-far unknown, unique function in 1632. Another six items of the addenda also contain corrections (69, 76, 94, 100, 139, 139, 208), of which two (76, 100) name the original publication (1609 and 1612, resp.) of the two prints in the Hungarian Historical Portrait Gallery removed from their original function. Six items of the corrigenda (5, 61, 75, 179, 187) make the description more accurate, with a picture added to one (187), restoring a cut-out copy kept in the Hungarian Historical Picture Gallery now to its original function. In the past two decades, the material of the volume has been enlarged by twenty five unpublished depictions, i.e. nearly by 10%. These pictures and descriptions collected on the basis of autopsy affect the period between 1493 and 1852, adjusted to the earlier chronology of the data. Their item number received the number of the preceding bibliographic description with the addition of an ‘a’ or two (5a, 35a, 55a, 70a, 79a, 81a, 90a, 90aa, 97a, 105a, 116a, 128a, 155a, 155aa, 187a, 188a, 192s, 193a, 215a, 216a, 216aa, 228a, 238a, 251a, 254a). The new representations are always attached pictures, and their description adopted the structure of the data in the 2001 volume. Order of new information after the number of the item: 1. Title or iconographic type of the representation 2. Title of the print without the religious texts. Latter only given when there is no title. 3. Form of appearance 4. Date of making 5. Technique of production 6. Place of making, signature 7. Size by the producing technique and by the state of the sheet 8. Bibliographic description of the source containing the representation, with the accurate place of the print in the work at issue 9. Place of preservation and mark of the copy about which the description is made 10. Remarks 11. Bibliography [ABSTRACT FROM AUTHOR]

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